Afterimage Vol. 38 No. 2 by Francis Frascina, Rachel Stevens, Claudia Pederson, Stephen

By Francis Frascina, Rachel Stevens, Claudia Pederson, Stephen Longmire, Christine Ross, Alisia G. Chase,

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11th1- . ,l• ,,li the strects that surround it. Rather, tle "'action'" is in tile very perspectival activation of tli encounter solicited by tihe piece itself' The isural takes time. It optically, subtilely, refuses any simplicity ofi message. Which actions speak? Where and to whom? How and itt a\fiat tontext? Further, if thiy speak, what do they say? flow can orci possibly infi'r a social "good" ftiom this miessage? For THINK AGAIN, tile asking is the act. In the words of'collaborators Attyah and Bachtan: 'IT'li' initral and prjojection tag back and forth between tile abstract and thte concrete, combining tile institutional, 32 militaristic, domestic, ethical, psychological and embodied aspects fitviolence.

Mk-,N,•ork. Above 6th Light (2007) by Paul Chan museum's Curator of Contemporary Art. "' A laboratory in which "monumental scale, ephemeral nature, and movingjuxtaposition of past and present" come together to delight, solicit, and challenge an audience initially drawn, presumably, to the museum's substantial and well-established historical collection. M X 0 I o M z While wandering through a little maze at the Worchester Art Museum, something that looks like a large-scale rendition of a human fenmur appears through a glass door down a hall.

The projected display front the "Seeing" exhibition can now be rearranged by the finger oni the The ocean murals are part of Brain/Cloud (2009), a multimedia uses the painting Falling Cloud (1965) as its point of departure. The iPhone's touch screen, allowing viewers to create and save numerous new versions of the still life. While there is nothing extraordinary about the work or tlse experience, what is notable is that Baldessari painting is a diagrammatic work depicting a crudely painted cloudlike shape on top that appears to be expelling a smaller incarnation is mining this territory.

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